Cleveland Humanities Festival: 2016 - Kamila Shamsie

Fourteen years ago, famous Pakistani activist Samina Akram disappeared. Two years earlier, her lover, Pakistan's greatest poet, was beaten to death by government thugs. In present-day Karachi, her daughter Aasmaani has just discovered a letter in the couple's private code-a letter that could only have been written recently. Aasmaani is thirty, single, drifting from job to job. Always left behind whenever Samina followed the Poet into exile, she had assumed that her mother's disappearance was simply another abandonment. Then, while working at Pakistan's first independent TV station, Aasmaani runs into an old friend of Samina's who gives her the first letter, then many more. Where could the letters have come from? And will they lead her to her mother? Merging the personal with the political, Broken Verses is at once a sharp, thrilling journey through modern-day Pakistan, a carefully coded mystery, and an intimate mother-daughter story that asks how we forgive a mother who leaves.

Winner of the Anisfield-Wolf Book Award An Orange Prize Finalist Nagasaki, August 9, 1945. Hiroko Tanaka watches her lover from the veranda as he leaves. Sunlight streams across Urakami Valley, and then the world goes white. In the devastating aftermath of the atomic bomb, Hiroko leaves Japan in search of new beginnings. From Delhi, amid India's cry for independence from British colonial rule, to New York City in the immediate wake of 9/11, to the novel's astonishing climax in Afghanistan, a violent history casts its shadow the entire world over. Sweeping in its scope and mesmerizing in its evocation of time and place, this is a tale of love and war, of three generations, and three world-changing historic events. Burnt Shadows is a story for our time by "a writer of immense ambition and strength. . . . This is an absorbing novel that commands in the reader a powerful emotional and intellectual response" (Salman Rushdie).

A kaleidoscopic masterpiece of empire and rebellion by Kamila Shamsie, the Orange Prize shortlisted and Granta Best of Young British Novelist In the summer of 1914 a young Englishwoman, Vivian Rose Spencer, finds herself fulfilling a dream by joining an archeological dig in Turkey. Working alongside Germans and Turks, she falls in love with archaeologist, Tahsin Bey, and joins him in his quest to find an ancient silver circlet. The outbreak of war in Europe brings her idyllic summer to a sudden end, and her friends become her nation’s enemies. The following spring, in the battlefields of Europe, Qayyum Gul, a Lance Corporal from Peshawar fighting for the British, loses an eye, and is sent to recover in a Royal Pavilion in England, where he slowly begins to doubt his loyalties to the King. Returning home, Qayyum shares a train carriage with Vivian Rose whose search for the circlet has led her to Peshawar in the heart of the British Raj. Fifteen years later, they will meet again, and their loyalties will be tested once more amidst massacres, cover-ups, and the disappearance of a young man they both love.

Crib mates, raised together from birth, narrator Raheen and her best friend Karim dream each other's dreams, finish each other's sentences, speak in a language of anagrams. They share an idyllic childhood in upper-class Karachi with parents who are also best friends, even once engaged to the other until they rematched in what they jokingly call "the fiancee swap." The night Karim's family migrates from Karachi to London, Raheen knows that "some of my tears were his tears and some of his tears were mine." But as distance and adolescence split them apart, Karim takes refuge in the rationality of maps while Raheen searches for the secret behind her parents' exchange. What she uncovers takes us back two decades to reveal a story not just of a family's turbulent history but that of a country--and brings us forward to a grown-up Raheen and Karim drawn back to each other in the city that is their true home.

A beautiful novel detailing the life and loves of a Pakistani girl living in the U.S. Aliya may not have inherited her family's patrician looks, but she is as much a prey to the legends of her family that stretch back to the days of Timur Lang. Aristocratic and eccentric-the clan has plenty of stories to tell, and secrets to hide. Like salt and saffron, which both flavor food but in slightly different ways, it is the small, subtle differences that cause the most trouble in Aliya's family. The family problems and scandals caused by these minute differences echo the history of the sub-continent and the story of Partition. A superb storyteller, Kamila Shamsie writes with warmth and gusto. Through the many anecdotes about Pakistani family life, she hints at the larger tale of a divided nation. Spanning the subcontinent from the Muslim invasions to the Partition, this is a magical novel about the shapes stories can take- turning into myths, appearing in history books and entering into our lives.

The reconstruction of society after conflict is complex and multifaceted. This book investigates this theme as it relates to cultural heritage through a number of case studies relating to European wars since 1864. The case studies show in detail how buildings, landscapes, and monuments become important agents in post-conflict reconstruction, as well as how their meanings change and how they become sites of competition over historical narratives and claims. Looking at iconic and lesser-known sites, this book connects broad theoretical discussions of reconstruction and memorialisation to specific physical places, and in the process it traces shifts in their meanings over time. This book identifies common threads and investigates their wider implications. It explores the relationship between cultural heritage and international conflict, paying close attention to the long aftermaths of acts of destruction and reconstruction and making important contributions through the use of new empirical evidence and critical theory.

The protection of cultural property during times of armed conflict and social unrest has been an on-going challenge for military forces and heritage experts throughout the world even after the ratification and implementation of the 1954 Hague Convention and its two Protocols by participating nations. This volume provides a series of case studies and "lessons learned" to assess the current status of Cultural Property Protection (CPP) and the military, and use that information to rethink the way forward. The contributors are all recognized experts in the field of military CPP or cultural heritage and conflict, and all are actively engaged in developing national and international solutions for the protection and conservation of these non-renewable resources and the intangible cultural values that they represent. Book jacket.

Whether the product of passion or of a cool-headed decision to use ideas to rationalize excess, the decimation of the world's libraries occurred throughout the 20th century, and there is no end in sight. Cultural destruction is, therefore, of increasing concern. In her previous book "Libricide," Rebecca Knuth focused on book destruction by authoritarian regimes: Nazis, Serbs in Bosnia, Iraqis in Kuwait, Maoists during the Cultural Revolution in China, and the Chinese Communists in Tibet. But authoritarian governments are not the only perpetrators. Extremists of all stripes--through terrorism, war, ethnic cleansing, genocide, and other forms of mass violence--are also responsible for widespread cultural destruction, as she demonstrates in this new book. "Burning Books and Leveling Libraries" is structured in three parts. Part I is devoted to struggles by extremists over voice and power at the local level, where destruction of books and libraries is employed as a tactic of political or ethnic protest. Part II discusses the aftermath of power struggles in Germany, Afghanistan, and Cambodia, where the winners were utopians who purged libraries in efforts to purify their societies and maintain power. Part III examines the fate of libraries when there is war and a resulting power vacuum. The book concludes with a discussion of the events in Iraq in 2003, and the responsibility of American war strategists for the widespread pillaging that ensued after the toppling of Saddam Hussein. This case poignantly demonstrates the ease with which an oppressed people, given the collapse of civil restraints, may claim freedom as license for anarchy, construing it as the right to prevail, while ignoring its implicit mandate of social responsibility. Using military might to enforce ideals (in this case democracy and freedom) is futile, Knuth argues, if insufficient consideration is given to humanitarian, security, and cultural concerns.