The Delaware Review of Latin American Studies (DeRLAS) is a refereed, open-access and indexed scholarly journal about all aspects of Latin American society, culture and history. It is published biannually under the auspices of the Latin American and Iberian Studies ( LAIS ) program housed in the Center for Global and Area Studies ( CGAS ) at the University of Delaware.
The Journal of Dramatic Theory and Criticism was founded in 1986 at the University of Kansas, Department of Theatre, and publishes full-length articles that contribute to the varied conversations in dramatic theory and criticism, explore the relationship between theory and theatre practice, and/or examine the body of work by an individual author or a recent theoretical or critical trend.
Latin American Literary Review is a scholarly journal devoted to the literature of Latin America and Brazil. It is published semiannually in English, Spanish and Portuguese. Since its appearance in the Fall of 1972, the magazine has been very well received, and has aroused national and international interest. It is directed by Dr. Yvette Miller, professor of Spanish.
Recognized by Library Journal as "a most important development for Latin American literature," Latin American Literary Review's purpose has been to provide the academic community with a firsthand interpretation of Latin American literature and culture through feature essays and reviews of recent literary works.
The Latin American Theatre Review (LATR) is published twice per year by The University of Kansas' Department of Spanish and Portuguese and the Center of Latin American Studies. Founded in 1967, LATR covers all aspects of Latina/o and Latin American theatre and performance and is one of the premiere scholarly journals in its field.
Modern Drama was founded in 1958 and is the most prominent journal in English to focus on dramatic literature. The terms, "modern" and "drama," are the subject of continuing and fruitful debate, but the journal has been distinguished by the excellence of its close readings of both canonical and lesser known dramatic texts through a range of methodological perspectives. The journal features refereed articles that enhance our understanding of plays in both formal and historical terms, largely treating literature of the past two centuries from diverse geo-political contexts, as well as an extensive book review section.
New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language.
Studies in Latin American Popular Culture, an annual interdisciplinary journal, publishes articles, review essays, and interviews on diverse aspects of popular culture in Latin America. Articles are written in English, Spanish, or Portuguese.
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
telondefondo. Revista de Teoría y Crítica Teatral, es una publicación electrónica de periodicidad semestral (julio y diciembre), de consulta libre y gratuita, realizada por académicos de diferentes Universidades argentinas, en el marco del Instituto de Teoría e Historia del Arte "Julio E. Payró" de la Facultad de Filosofía y Letras de la Universidad de Buenos Aires.
Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts.